I really, really wish I didn’t struggle with this series like I do. Sarah MacLean is one of my favorite historical romance authors (she gave us the Rules of Scoundrels series, which I worship), but the Bareknuckle Bastards series just doesn’t seem to be working for me. It’s not BAD, but it’s not that great either. I found myself bored more than anything with Brazen and the Beast, which was the same issue I had with book one, Wicked and the Wallflower. The plot moved too slowly that I had to skim parts of the book. The only saving grace to this book was Hattie, but even she wasn’t enough to make me love this one.
Henrietta “Hattie” Sedley decides to make her 29th birthday the start of “The Year of Hattie,” in which she claims control of her life in terms of fortune, business, home, and future. I LOVED Hattie in the first half of this book. She was an awesome, head-strong woman who took charge of her life and didn’t look back. Unfortunately, one major bump in the road to The Year of Hattie is Whit, the second half of the Bareknuckle Bastards and co-ruler of the darker side of London. He sees Hattie and wants her, though he thinks he’s not good enough for her. What he will help her out with is her body – he’s determined to show her all the carnal pleasures of life, but nothing more.
The first half of this book went great – I was excited for Hattie, excited to see how she’d manage her new life with the addition of Whit. She is very much an endearing, relatable heroine. The second half of the book however, went a little downhill for me. The plot felt like it stalled – Hattie claiming her father’s business didn’t go anywhere, Whit kept going on and on about not being good enough for Hattie and going hot and cold with her. The only thing that happened was more and more sex – which is great, but I also wanted to see more of The Year of Hattie besides her learning about her body.
So yeah, I struggle with this. I think by the end of the book I was reading it for the secondary characters more than anything. I liked Hattie but didn’t care for Whit. SM tried to make Whit (and his brother) seem dark, dangerous, and broody, and while he is broody, he’s just not the dangerous character she writes him out to be. SM’s writing is great, and I did enjoy seeing little snippets of past characters from the Scandal & Scoundrel series. I’m clinging onto this series for the couple in the third and final book – Grace and Ewan’s story. They have been teased and hyped throughout the series and I am PRAYING that it won’t disappoint!
In twenty-eight years and three hundred sixty-four days, Lady Henrietta Sedley liked to think that she’d learned a few things.
She’d learned, for example, that if a lady could not get away with wearing trousers (an unfortunate reality for the daughter of an earl, even one who had begun life without title or fortune), then she should absolutely ensure that her skirts included pockets. A woman never knew when she might require a bit of rope, or a knife to cut it, after all.
She’d also learned that any decent escape from her Mayfair home required the cover of darkness and a carriage driven by an ally. Coachmen tended to talk a fine game when it came to keeping secrets, but were ultimately beholden to those who paid their salaries. An important addendum to that particular lesson was this: The best of allies was often the best of friends.
And perhaps first on the list of things she had learned in her lifetime was how to tie a Bosun knot. She’d been able to do that for as long as she could remember.
With such an obscure and uncommon collection of knowledge, one might imagine that Henrietta Sedley would have known precisely what to do in the likelihood she discovered a human male bound and unconscious in her carriage.
One would be incorrect.
In point of fact, Henrietta Sedley would never have described such a scenario as a likelihood. After all, she might have been more comfortable on London’s docks than in its ballrooms, but Hattie’s impressive collection of life experience lacked anything close to a criminal element.
And yet, here she was, pockets full, dearest friend at her side, standing in the pitch dark on the night before her twenty-ninth birthday, about to steal away from Mayfair for a night of best-laid plans, and…
Lady Eleanora Madewell whistled, low and unladylike at Hattie’s ear. Daughter of a duke and the Irish actress he loved so much he’d made her a duchess, Nora had the kind of brashness that was allowed in those with impervious titles and scads of money. “There’s a bloke in the gig, Hattie.”
Hattie did not look away from the bloke in question. “Yes, I see that.”
“There wasn’t a bloke in the gig when we hitched the horses.”
“No, there wasn’t.” They’d left the hitched—and most definitely empty—carriage in the dark rear drive of Sedley House not three-quarters of an hour earlier, before hiking upstairs to exchange carriage-hitching dresses for attire more appropriate for their evening plans.
At some point between corset and kohl, someone had left her an extraordinarily unwelcome package.
“Seems we would’ve noticed a bloke in the gig,”
“I should think we would have,” came Hattie’s distracted reply. “This is really just awful timing.”
Nora cut her a look. “Is there a good time for a man to be bound in one’s carriage?”
Hattie imagined there wasn’t, but, “He could have selected a different evening. What a terrible birthday gift.” She squinted into the dark interior of the carriage. “Do you think he’s dead?”
Please, don’t let him be dead.
Silence. Then, a thoughtful, “Does one store dead men in carriages?” Nora reached forward, her coachman’s coat pulling tight over her shoulders, and poked the dead man in question. He did not move. “He’s not moving,” she added. “Could be dead.”
Hattie sighed, removing a glove and leaning into the carriage to place two fingers to the man’s neck. “I’m sure he’s not dead.”
“What are you doing?” Nora whispered, urgently. “If he’s not dead, you’ll wake him!”
“That wouldn’t be the worst thing in the world,” Hattie pointed out. “Then we could ask him to kindly exit our conveyance and we could be on our way.”
“Oh, yes. This brute seems like precisely the kind of man who would immediately do just that and not immediately take his revenge. He’d no doubt doff his cap and wish us a fine good evening.”
“He’s not wearing a cap,” Hattie pointed out, unable to refute any of the rest of the assessment of the mysterious, possibly dead man. He was very broad, and very solid, and even in the darkness she could tell that this wasn’t a man with whom one took a turn about a ballroom.
This was the kind of man who ransacked a ballroom.
“What do you feel?” Nora pressed.
“No pulse.” Though she wasn’t precisely certain of the location one would find a pulse. “But he’s—”
Dead men were not warm, and this man was very warm. Like a fire in winter. The kind of warm that made someone realize how cold she might be.
Ignoring the silly thought, Hattie moved her fingers down the column of his neck, to the place where it disappeared beneath the collar of his shirt, where the curve of his shoulder and the slope of…the rest of him… met in a fascinating indentation.
“Quiet.” Hattie held her breath. Nothing. She shook her head.
“Christ.” It wasn’t a prayer.
Hattie couldn’t have agreed more. But then…
There. A small flutter. She pressed a touch more firmly. The flutter became firm. Slow. Even. “I feel it. She said. “He’s alive.” She repeated herself. “He’s alive.” She exhaled, long and relieved. “He’s not dead.”
“Excellent. But it doesn’t change the fact that he’s unconscious in the carriage, and you have somewhere to be.” She paused. “We should leave him and take the curricle.”
Hattie had been planning for this particular excursion on this particular night for a full three months. This was the night that would begin her twenty-ninth year. The year her life would become her own. The year she would become her own. And she had a very specific plan for a very specific location at a very specific hour, for which she had donned a very specific frock. And yet, as she stared at the man in her carriage, specifics seemed not at all important.
What seemed important was seeing his face.
Clinging to the handle at the edge of the door, Hattie collected the lantern from the upper rear corner of the carriage before swinging back out to face Nora, whose gaze flickered immediately to the unlit container.
Nora tilted her head. “Hattie. Leave him. Let’s take the curricle.”
“Just a peek,” Hattie replied.
The tilt became a shake. “If you peek, you’ll regret it.”
“I have to peek,” Hattie insisted, casting about for a decent reason—ignoring the odd fact that she was unable to tell her friend the truth. “I have to untie him.”
“Not necessarily,” Nora pointed out. “Someone thought he was best left tied up, and who are we to disagree?” Hattie was already reaching into the pocket of the carriage door for a flint. “What of your plans?”
There was plenty of time for her plans. “Just a peek,” she repeated, the oil in the lantern catching fire. She closed the door and turned to face the carriage, lifting the light high, casting a lovely golden glow over—
“Oh, my,” she said.
Nora choked back a laugh. “Not such a bad gift after all, perhaps.”
The man had the most beautiful face Hattie had ever seen. The most beautiful face anyone had ever seen, she imagined. She leaned closer, taking in his warm, bronze skin, the high cheekbones, the long, straight nose, the dark slashes of his brows and the impossibly long lashes that lay like feathers against his cheeks.
“What kind of man…” she trailed off. Shook her head.
What kind of man looked like this?